Adam's Rib (1949)

 Tracy, Judy Holliday and Hepburn

'Adam's Rib' is a romantic comedy made in 1949, directed by George Cukor and starring Katharine Hepburn and Spencer Tracy. It is generally regarded as a classic and has been an inspiration for countless other films and television series about combative but sexually combustible couples. In 1992, it was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

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Of the nine movies legendary partners Spencer Tracy and Katharine Hepburn made together between 1942 and 1967, 'Adam's Rib' is arguably the best. The beautifully crafted script still crackles with witty dialogue, spirited discussion of double standards and sexual stereotypes, and all the actors give wonderful performances. The screenplay, which was nominated for an Academy Award, was written by Tracy and Hepburn's great pals, the married team of Ruth Gordon (the actress who won an Oscar in Rosemary's Baby) and Garson Kanin.

The true story that sparked the project was that of husband-and-wife lawyers William and Dorothy Whitney, who represented Mr. and Mrs. Raymond Massey in their divorce, then divorced each other and married their respective clients. It doesn't quite come to that in Adam's Rib'.

When sweet, dizzy blonde Doris Attinger-played by the sensationally funny Judy Holliday, making her debut in the role that launched her meteoric career, is charged with the attempted murder of her two-timing husband Warren (Tom Ewell), proto-feminist attorney Amanda 'Pinkie' Bonner (Hepburn) agrees to defend her. But Amanda's husband, Adam 'Pinky' Bonner (Tracy), is the prosecuting attorney, and their courtroom battle quickly extends into the bedroom, hostilities aggravated by the attentions shown Amanda by smitten songwriter Kip (David Wayne), who composes 'Farewell, Amanda' in her honor (a song written by Cole Porter).

Director George Cukor, recognizing the inherent theatricality of courtroom situations, deliberately keeps the proceedings stagy after the comedy-suspense opening sequence of Doris tailing Warren from work to the tryst with his floozy mistress, Beryl (Jean Hagen), and the inept shooting. The film's long single takes give Hepburn free rein for her outrageously crafty showboating in court and allow Tracy to work up his indignation at her tactics and principles.

Highlights include brainy Amanda's early quesioning of dim witted Doris, and the spectacle of Adam tearfully getting in touch with his feminine side to get back into his wife's good graces. Although some of the arguments may seem quaint today, the sophistication is undiminished.

Its a wonderful movie, directed with a light touch by George Cukor and with top class performers at their very best. Great entertainment.